George, internationally known as the "Dot Man," was a self-taught artist, and produced many illustrative drawings that influenced Andrews. The Cop196824 x 18 in.Oil and collage on canvasIn the collection of The McNay Museum of ArtSan Antonio, TX. [6] While in Georgia, Andrews created his Autobiographical Series of paintings. [3] In 2006, he traveled to the Gulf Coast to work on an art project with children displaced by Hurricane Katrina.[4]. He studied at the School of the Art Institute Chicago, during the 1950's, where he began his interest in painting. Reflecting his minimalist style, Andrews was known to say that he was not interested in how much he could paint but how little.
[7] In the same year, he painted one of his most notable works, No More Games, which highlighted the plight of black artists and became an icon of his emerging social justice activism in the art world.

Our site uses technology that is not supported by your browser, so it may not work correctly. No More Games. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. 24 × 18" (61 × 45.7 cm). 1970. The Cop 1968 24 x 18 in. Despite his parents' stress on education, they could not afford to let Andrews go to school when they needed his help to pick or plant cotton.

Among Others: Blackness at MoMA offers an expansive examination of the museum’s relationship to black artists, black audiences, and art about blackness throughout its history. This record is a work in progress. Therefore, he only attended high school during the winter months. By visiting our website or transacting with us, you agree to this. He was the director of visual arts for the National Endowment for the Arts from 1982 to 1984. 35.1971.a-b.

[7] This fellowship was renewed in 1966, and Andrews used the money to return to Georgia.

If you have additional information or spotted an error, please send feedback to [email protected]. For access to motion picture film stills please contact the Film Study Center.

Benny Andrews. Benny Andrews (November 13, 1930 – November 10, 2006) was an American of mixed African and European ancestry painter, printmaker, and creator of collages.During the 1950s, he studied at the School of the Art Institute of Chicago, where he began to take an interest in painting.In 1958, he moved to New York City to pursue artistic and activist work Illustrated by Benny Andrews Sterling Publishing, 2006 .

More information is also available about the film collection and the Circulating Film and Video Library. [6] Andrews' grades were poor, so when his scholarship ran out, he left college to join the U.S. Air Force.

[4][5] Prior to beginning his education at the Art Institute of Chicago, Andrews had never set foot in a museum. [5] He was elected to the colony's board of directors in 1987. [5] Mayor John Lindsey honors Andrews for his work in 1973, and in 1976 Andrews curated an exhibition of work made by prisoners at the Studio Museum in Harlem.

[5], After graduating from the School of Art Institute of Chicago, Andrews moved to New York City in 1958, where he settled on the Lower East Side. [5] His arts program for prisons soon became a national model. Gabriel Tenabe describes his drawing as "delicate, subtle, and intimate... draw(ing) from his past private life in Georgia and his social life in New York." [6] He then received a CAPS award from the New York State Council on the Arts in 1971. They protested the fact that no African-Americans were involved in organizing the show and it contained no art only photo reproductions and copies of newspaper articles about Harlem..


The BECC then persuaded the Whitney Museum to launch a similar exhibition of African American artists, but later felt compelled to boycott the Whitney show for similar reasons.[9]. Andrews' father was a self-taught artist whose drawings and paintings led to renown as the "Dot Man" and a retrospective at the Morris Museum of Art. More information is also available about the film collection and the Circulating Film and Video Library. George, Andrew’s father, also taught the same beliefs to his children. If you notice an error, please contact us at [email protected].

His mother Viola was very strict on her beliefs, and constantly promoted education, religion and most importantly, freedom of expression.

George, internationally known as the "Dot Man," was a self-taught artist, and produced many illustrative drawings that influenced Andrews.

Benny Andrews was born into a family of ten on November 13, 1930 in small community called Plainview, Georgia to George and Viola (nee Perryman) Andrews. View fullsize . 279.2017. Did the Bear Sit Under a Tree?196950 x 62 in.Oil and collage on canvasPrivate CollectionCurrently on view in”Soul of Nation: Art in the Age of Black Power” at The Museum of Fine ArtsHouston, TX, Mr x.196818 1/16 x 13 1/6 in.Oil and collage on canvas, In the collection ofThe Columbus Museum of ArtColumbus, OH, Champion196750. Bill of Rights afforded him training at the School of the Art Institute of Chicago where he received his BFA. Please, Acquired through the generosity of The Friends of Education of The Museum of Modern Art, and Richard S. Zeisler Bequest (by exchange). That project has concluded, and works are now being identified by MoMA staff. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. There was only one art program offered at the institution, due to poor grades and the end of his scholarship Andrews left and joined the U.S. Air force in 1950. His advocacy of artists of color Howardena Pindell, Sam Gilliam, Roy DeCarava, and others contributed to their increasing visibility and reputation in museums and the historical canon.

Andrews attended Forth Valley College on a two-year scholarship. He did, however, spend one summer painting murals in Atlanta during this time. Acquired through the generosity of The Friends of Education of The Museum of Modern Art, and Richard S. Zeisler Bequest (by exchange). ANDREWS, BENNY Work Title ANDREWS, BENNY View Title No More Games Creator/Culture artist: Benny Andrews (American, 1930-) Site/Repository New York, Museum of Modern Art Period/Date 1970 Media/Technique Painting, Oil, Cloth on canvas; Diptych Legacy Media/Technique Painting, Oil, Cloth on canvas; Diptych Work Record ID 239085 Image Record ID 128344 After graduating from the Art Institute of Chicago he received the John Hay Whitney Fellowship for 1965-1966 and a CAPS award from the New York State Council on the arts in 1971[1] the same the same year he created the painting No More Games, a noted work which is about the plight of black artists and an iconic reflection of his emerging social justice work in the art world. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. In 1962, he had his first New York solo exhibit at the Forum Gallery, which received a positive review from the New York Times. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. George, internationally known as the "Dot Man," was a self-taught artist, and produced many illustrative drawings that influenced Andrews.Although the importance of education was stressed, Andrews’s number of absences accumulated due to the days he was needed on the field. From 1968 to 1997, Andrews taught at Queens College, City University of New York and created a prison arts program that became a model for the nation. Benny Andrews married Mary Ellen Jones Smith, a photographer, in 1957.

Drawings and Prints [6] The couple had three children, Christopher, Thomas, and Julia, before separating in 1976.

If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected].

Although the importance of education was stressed, Andrews could not attend school when he was needed to work in the field picking or planting cotton. Queens College, City University of New York, Harlem on My Mind: Cultural Capital of Black America, 1900-1968, "Benny Andrews facts, information, pictures", "Benny Andrews, 75, Dies; Painted Life in the South", Benny Andrews: Biography and Much More from Answers.com, Andrews, 75, Dies; Painted Life in the South, Minneapolis Institute of Art, Minneapolis, MN, https://en.wikipedia.org/w/index.php?title=Benny_Andrews&oldid=970363394, Creative Commons Attribution-ShareAlike License, New York Council for the Arts Fellowship - 1971-1981, National Endowment for the Arts Fellowship - 1974-1981.

x 50 in.Oil and collage on canvasPrivate collection, Symbols1971100 5/8 x 466 in.

Foundation dedicated to the life and work of Benny Andrews, No More Games1970Oil and collage on canvasIn the collection ofThe Museum of Modern Art New York, NYCurrently on view. Afterwards, the G.I. The same year, he created the painting No More Games, a noted work about the plight of black artists and an iconic reflection of his emerging social justice work in the art world. Interviews and More. For licensing motion picture film footage it is advised to apply directly to the copyright holders. However, there was only one art program offered and his grades were poor so, when his scholarship ran out, Andrews left college to join the U.S. Air Force where he served from 1950 to 1953. [1] He received many awards, including the John Hay Whitney Fellowship (1965–66), the New York Council on the Arts fellowships (1971–81), and the National Endowment for the Arts Fellowship (1974–81).[2].

In this position, he had the chance to advocate for fellowships and grants to go to talented black artists who may otherwise have escaped notice. His discipline has contributed to making other artists of color, like Howardena Pindell, Sam Gillian, and Roy DeCarava, visible within art museums and the historical canon. His parents were sharecroppers.



He incorporated his sparing use of geometrical forms to convey broader messages about the people and places he depicted. No More Games (Study #5). After graduating from the Art Institute of Chicago, he received the John Hay Whitney Fellowship for 1965-1966 and a CAPS award from the New York State Council on the Arts in 1971. Overall 8' 4 7/8 x 8' 5 1/4" (256.2 x 257.2 cm). In 1969, Andrews co-founded the Black Emergency Cultural Coalition (BECC) an organization that protested the 'Harlem on my Mind' exhibit at the Metropolitan Museum of Art in New York. Benny Andrews was born into a family of ten on November 13, 1930 in small community called Plainview, Georgia.

‘No More Games (Study #2)’ was created in 1970 by Benny Andrews in Figurative Expressionism style.

Using various media, Andrews depicted diverse American scenes and people in a figurative style that he felt both reflected the dignity of those he portrayed and served his commitment to social change. President’s Award to The Benny Andrews Foundation, This page was last edited on 30 July 2020, at 21:28. Among other successes, he created art education programs to serve underprivileged students at Queens College and participated actively in the Black Emergency Cultural Coalition (1969). Andrews attended Fort Valley College on a two-year scholarship.

During the 1950s, he studied at the School of the Art Institute of Chicago, where he began to take an interest in painting.

Andrews graduated in 1948,from Burney Street High School in Madison, making him the first in his family to graduate high school.

Andrews graduated in 1948, from Burney Street High School in Madison, making him the first in his family to graduate high school.

Recent News. [5], Andrews then married artist Nene Humphrey in 1986. Acquired through the generosity of The Friends of Education of The Museum of Modern Art, and Richard S. Zeisler Bequest (by exchange).

The same year, he created the painting No More Games, a noted work about the plight of black artists and an iconic reflection of his emerging social justice work in the art world.

By visiting our website or transacting with us, you agree to this.


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