The Q menu is great though – especially now I’ve cut it down to 4 things To get even closer to Preet’s look, bring down the highlights and lift the shadows very slightly with a curves adjustment in-software (which, of course, is completely optional). It can be tough to judge in the moment what the exact exposure should be, and it takes a little trial-and-error to get it right, so be patient, as it might take a few tries to get an image that you’re happy with. Or you are lugging around a tripod. This little trick produces convincing results! I can attest that the image quality from the X100V is outstanding! Leaf shutters are typically found on expensive medium-format gear, and you rarely see them on other cameras; however, Fujifilm has included a leaf shutter on their X100 series. Love it. Fuji X Weekly reader Thomas Schwab helped me immensely with this recipe. The X100V would make a great addition to whatever other Fujifilm camera you’re using, or it could be your gateway into the Fujifilm family. Let me know in the comments what you think of the video. You’d be hard-pressed to find a camera nowadays with poor image quality.
We bonded (and occasionally not), as we spent significant stretches of time together on the open road. I just took his idea a step further to make it even more dramatic for this recipe. Many landscape photographers, including Ansel Adams, employed a red filter to achieve a dark sky (for example, Moonrise Over Hernandez). Next is the flash, which you’ll use to illuminate the foreground of your pictures. When I purchased my Fujifilm X-T1, I had the intentions of converting it to full-spectrum, but the cost of the conversion has prevented me from doing it. Color Chrome Effect Blue: Weak Colorful Store Decor – Layton, UT – Fujifilm X100V – “Kodak Ultramax 400”. Find out more about 35mmc here. In any event, if you are looking for a recipe that produces results similar to Tungsten film, this is one to consider. They are bright, low-contrast (but typically of high-contrast scenes), and vibrant with a warm yellow-ish cast. Save my name, email, and website in this browser for the next time I comment.
My original Ektar recipe is close but no cigar. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Actually, I could list 80! Simply disregard Grain set to Large if your camera doesn’t have that option. There are challenges to blue hour photography because the available light is limited and constantly changing. Classic Negative I think this recipe might be my favorite of the Superia recipes that I’ve created thus far. The idea here is to keep every setting the same except for the film simulation. I’m not sure why it closed: lazy employees, poor management, mediocre food, bad location, current economic times? Have fun with it, and I look forward to further instalments. At the top is a radar site. This recipe is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4 cameras. The first was that I was very quickly going to need to spend some time customising the way the camera worked to get the most out of it, and the second was an idea I had for harnessing the Fuji X100V’s features to capture something of a lot more movement in Norah’s play in the garden.
I recently returned from a road trip across several U.S. states, which I photographed with a Fujifilm X100V and X-T30. We’ll see. ( Log Out /
So much potential! I want to give a big “thank you” to Fuji X Weekly reader Thomas Schwab for his help with updating this recipe. Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. Thank you for your hard work and creativity. What I’ve grown to miss within my personal photography is just the sort of ease of shooting that they bring to the table. There are blades, similar to aperture blades, inside the lens that open and close. These two films are actually the same film, but the CineStill version has the RemJet layer removed, which means that it is more prone to halation and can be processed in C-41 chemistry. It looks pretty much the same, and it’s still 23mm (35mm equivalent) with a maximum aperture of f/2. I’m going to make a series out of this, which I’m calling With Other Film Simulations, and maybe something interesting will come out of it. Actually, it began as Kodak Tri-X 400. Fuji X Weekly reader Ricardo Guzman sent me this recipe to try. It’s one of the more difficult to use recipes that I’ve created, yet it is highly rewarding. I feel fortunate to live so close to this place. The color images are surprisingly similar. That one, too! After even more back-and-forth we finished with this recipe here. So pleased that I did some in-camera raw conversions and put them up on my ‘hamishgill’ instagram here, here and here. If you don’t have an X100V, that’s no problem, just use what you do have. Classic ChromeDynamic Range: DR400Highlight: +4Shadow: -2Color: +4Noise Reduction: -4Sharpening: -2Clarity: +1Grain Effect: Strong, SmallColor Chrome Effect: StrongColor Chrome Effect Blue: WeakWhite Balance: Auto, +2 Red & -4 BlueISO: Auto, up to ISO 6400Exposure Compensation: -1/3 to -1 (typically). Another film that is in the general vicinity of this aesthetic is Kodak’s Ektachrome 100VS, which was essentially Kodak’s closest film to Velvia, but this recipe is a little off from that film. Personally, I find Fuji’s use of the Q button one of its best features as it gives instant access to most of the settings we’re more likely to want to change, and of course the Fn buttons can be programmed to the features you most use. Surprisingly, that Jack-in-the-Box in Rexburg provided the chance to create some interesting pictures. He called it “Tostado” and when I asked him why, Ricardo answered, “Toasted like summer—when you sleep after lunch at the beach, you wake up looking at funny colors.” Yes, that’s exactly what it looks like—verano tostado! The X100 series is what photographers shoot just for the joy of it. This film boasted more accurate colors, sharper images, finer grain, and a faster ISO of 25. What works for you might be different. The view from the peak is nothing short of breathtaking! A problem we encountered is that Ektar can have several different looks, even from the same roll of film. The Clarity setting will slow down the camera considerably, so be aware of that. The trick is to use a low Kelvin white balance in conjunction with a dramatic white balance shift when using Acros+R. I found with this recipe that sometimes Color should be set to +3 instead of +4 to better match Preet’s look, but oftentimes +4 is better, and occasionally +5 would be most correct if such a setting existed. This recipe falls into the latter category, as it is intended to resemble the aesthetic of Preet (Instagram), a photographer from Dubai. Even the name, Verano Tostado (“Toasted Summer”), and the story behind it, is fun. For as little as $1 a month, you can help support the upkeep of 35mmc and get access to exclusive content over on Patreon. As its name suggests, the new X100V represents the fifth generation of Fujfilm's now classic 35mm fixed lens premium compact camera series. Example photographs, all camera-made JPEGs using this new Kodak Ektar 100 film simulation recipe on my Fujifilm X100V: Daisies by the Dock – Flathead Lake, MT – Fujifilm X100V, Henry’s Fork – Island Park, ID – Fujifilm X100V, Johnny Sack Cabin – Island Park, ID – Fujifilm X100V, North Shore of Island – Wild Horse Island State Park, MT – Fujifilm X100V, Mustang Evening – Farmington, UT – Fujifilm X100V, Roofline Sky – Farmington, UT – Fujifilm X100V, Finding Clues – Farmington, UT – Fujifilm X100V, Golden Boy – Farmington, UT – Fujifilm X100V, Rocket Launching – Farmington, UT – Fujifilm X100V, Yellow Lady – Layton, UT – Fujifilm X100V, Light Too Bright – Farmington, UT – Fujifilm X100V, Lawnmower Handle & Shadow – Farmington, UT – Fujifilm X100V, Air Pump – Farmington, UT – Fujifilm X100V, Blossom Red – Farmington, UT – Fujifilm X100V, Flower Garden Blossom – Farmington, UT – Fujifilm X100V, Bug Hiding on a Flower – Farmington, UT – Fujifilm X100V, Rose Fence – Farmington, UT – Fujifilm X100V, Marsh Reeds – Farmington, UT – Fujifilm X100V, Empty Outdoor Seating – Farmington, UT – Fujifilm X100V – “Kodak Ultramax 400”. I want to thank Ricardo Guzman for creating this recipe and allowing me to share it here with you. That recipe has remained quite popular. Shadow: +1 This film simulation recipe is only compatible with the Fujifilm X100V, X-Pro3 and X-T4. The first Kodachrome product was a two-glass-plate color negative that was introduced in 1915. Nothing is worse than the menus on the Sony digital cameras I have tried (RX 100 earlier series). And that’s really what this camera is all about for me.
It became the standard film for color photography for a couple decades, and was even Ansel Adams’ preferred choice for color work. I could even see my house way down at the bottom.
Learn how your comment data is processed. The touch screen is nice I suppose, but I prefer not to use it. The first time I took the camera out and used it in anger was to snap a few shots of Norah on the trampoline and playing in the garden. Hi, and of those Astia was the closest, but none of them were right. Don’t want the M to go to AF, but it would be really nice if they had the standard OVF with RF that they have now, and an EVF at the flip of a switch. Similar names, different films.
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