Hepworth records her pregnancy with triplets with notable sang froid. [17] She said that "Finding Trewyn Studio was sort of magic. Exhibition in Zurich at the Gimpel Hanover Galerie, November–January 1964. Shows in the British Pavilion at the XXV Venice Biennale: Hepworth visits Venice in June for the opening. “[it] must be relaxed, sensitive. She achieved great success in her lifetime, but Hepworth was also patronised as a female and provincial artist. “It simply became a fixture in my mind. 18 days ago, Painting, drawing and fresco form the basis of Ella Walker’s artistic practice. August, short visit to Dieppe with Nicholson. April–June, major retrospective at the Whitechapel Art Gallery, London. Created C.B.E. Two rounded, pierced forms of huge size sit in the landscape, carving out not only their shape in the surrounding countryside, but also the space between both elements. Hepworth is seated behind the podium, Single Form at the United Nations Secretariat, New York, 11 June 1964, Hepworth on the harbour, St Ives, May 1964. Exhibition at Gimpel Fils, London, May–June. We may use your email to contact you regarding your comment. [29], She also experimented with lithography in her late career, and produced two lithographic suites with the Curwen Gallery and its director Stanley Jones, one in 1969 and one in 1971. [31], Barbara Hepworth died in an accidental fire at her Trewyn studios on 20 May 1975 at the age of 72.[32]. The pair travelled frequently to France meeting the artistic luminaries of the day, such as Brancusi, Mondrian, Gabo and Kandinsky, with whom they both subsequently exhibited. It also suggested physical strength and tension. Construction (Crucifixion): Homage to Mondrian, 1966, outside Winchester Cathedral. During this period she was often referred to as the greatest living female sculptor. Hepworth was born in 1903 to Herbert and Gertrude Hepworth, according to her estate. Ben Nicholson leaves St Ives for Switzerland. Last modified on Thu 22 Feb 2018 12.26 EST, The hand lying on the table is small and delicate, its fingers strong but slim. A David Chipperfield-designed building on the bank of the river Calder. Beginning of friendship with South African-born composer Priaulx Rainier. Bernal). Participates in the exhibitions Living Art in England at the London Gallery and Abstract and Concrete Art at Guggenheim Jeune, London. © 2020 Guardian News & Media Limited or its affiliated companies. [2] They became friends and established a friendly rivalry that lasted professionally for many years. Hepworth’s strings deliberately often create patterns on which the eye can never rest. [16] Hepworth moved away from working only in stone or wood and began to work with bronze and clay. She was 73 years old. Photograph by Hans Wild, Contrapuntal Forms on London's South Bank during the Festival of Britain, 1951, Hepworth at her Whitechapel exhibition, 1954, with Monolith (Empyrean), Madonna and Child, Bianco del Mare, 1954 (BH 193), St Ives Parish Church, Hepworth in the garden at Trewyn Studio, 1957.

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